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Tiphanie Yanique in her own words

Posted: September 3rd, 2011 | Author: | Filed under: Books, Column | Tags: , , , , , , , , , | No Comments »

The latest issue of Caribbean Beat magazine features an interview I did with USVI writer Tiphanie Yanique. You can read it here. I’ve already written a bit about Tiphanie on this blog here, but it’s worth repeating that she’s a gifted writer and I’ve been privileged to do a little book tour with her in NY a few years ago. I know she’s going to be an even bigger name in Caribbean literature as the years roll on and I’m pleased to have my name next to hers in Trinidad Noir, to which she contributed a story that appears in another version in her prize-winning book How to Escape from a Leper Colony. Write on, Tiphanie!


My Bocas Lit Fest

Posted: May 2nd, 2011 | Author: | Filed under: Column, Poetry | Tags: , , , , , , , , , , , , , , , , , , | 5 Comments »

If the Bocas Lit Fest (Trinidad and Tobago Literary Festival) had been held in another country, right now I would be packing, looking for my earrings on the floor behind the sideboard in my hotel room, clearing my non-existent room service charges and being driven to the airport in a shuttle or by a member of the organising committee. As it was, Bocas took place in my country and I just had to get into my car and drive home last night. The feeling at the ending of a great event is the same, though. Bocas left me replete, yet hungry for more.
It ran from Thursday April 28-Sunday May 1. Thursday’s highlight for me was my leading a creative writing workshop for 9-11-year-olds at the National Library in Port-of-Spain, where all the Bocas main events took place. There were 20 boys present, all from Richmond Street Boys’ Standard Three, and their teacher Mr Hercules. I did a quick talk about the basics–every story has a beginning, middle and end, and what is conflict and how it’s used–and then set them on a free writing exercise. I was honoured to be the scribe for a visually impaired boy, Kishon, as he told a wonderfully creative story about a boy reading a book about a wilderness explorer who gets savaged by a wild lion.

 

 

Another Thursday highlight was moderating a reading by two talented authors, Prof Barbara Lalla, and Prof David Chariandy. Prof Lalla is the author of two novels, and she read from her most recent, Cascade. I’ve read it, and it was as puzzling and beautiful as an impressionist painting. Up close it was hard to see the pattern in places, but once I was done and stepped back a bit it was gorgeous, a detailed, breathtaking vision of aging and friendship. Prof Chariandy’s debut book Soucouyant is a shortish novel that has won many plaudits in Canada, where he’s from, and I found it spare and gut wrenching. Having watched my own mother fall to dementia, the main theme of the book, I saw many things in the story that were painfully familiar.
Friday night I read in the Poetry Lime. It was originally supposed to be a poetry crawl, going from bar to bar in Woodbrook, a wonderful entertainment zone in Port-of-Spain, but was changed at the last minute to a lime at the Reader’s Bookshop in St James. While I would have been happy to tramp up Ariapita Ave drinking and reading increasingly slurred poetry, perhaps this worked out better–especially as I had to drive home! I read four poems, three tiny ones on love, and one short one on my mother’s experience with dementia. (I’ll post that poem separately.) It was an excellent, if packed reading. Some of the poets taking part were Phillip Nanton, Lorna Goodison, Tanya Shirley, Mark McWatt, Jane Bryce, Christian Campbell and Merle Collins. I was extremely flattered to have been invited to read in such distinguished company!

 

Jamaican author Marlon James takes in the poetry at the Bocas Lit Fest Poetry LIme

 

Saturday I took part in a poetry workshop with Christian Campbell and Merle Collins. The theme was mimicry and improvisation; participants had to use random prompt words given by Merle to write as much as they could, and then combine those slivers into a whole that, hopefully, would make sense. Christian made us think up a pattern to mimic and write a piece using that structure. It could have been anything. I chose the form of a radio death announcement. (I’ll post those poems separately, too.)
Sunday I was exhausted and so overstimulated I felt I had bees under my skin. I was constantly on the verge of tears and I couldn’t sit still. Thankfully, I had only a couple things planned and I could–and did–spend the day drifting around getting in people’s way after I finished taking part in a workshop on getting published. Now, since I’ve already been published one might say I shouldn’t have gone. But I nevertheless enjoyed the workshop and I thought the facilitators, Margaret Busby (founder of Allison and Busby), Jeremy Poynting (of Peepal Tree Press) and Ken Jaikaransingh (of Lexicon Books), did a terrific job of explaining the process. They gave tips to writers–including on finding an agent, looking for the right publisher, and formatting work for submission.
Oh! and Sunday too was readings from the winning OCM Bocas Prize books, Edwidge Danticat’s Creating Dangerously, Tiphanie Yanique’s How to Escape from a Leper Colony, and Derek Walcott’s White Egrets. Tiphanie, who was a contributor to Trinidad Noir and with whom I did a short book tour in NY in 2009, reads beautifully. Her story was about a convict who had been wrongly convicted of a crime he did commit. You’ll have to read the story to see what I mean! Prof Eddie Baugh, a Jamaican scholar and poet who I absolutely adore, read from Walcott’s poetry. His reading of a piece dedicated to Lorna Goodison made me shiver.

 

With Prof Eddie Baugh at a reception hosted by the French Embassy at the close of the Bocas Lit Fest

 

As always at the end of a really exciting and connected literary event I’m exhausted and sad but also invigorated and hopeful because of all the interesting people I’ve met, all I’ve learned and heard, all the books I’ve bought. I got poet Tanya Shirley’s collection She Who Sleeps with Bones, How to Escape from a Leper Colony, ARC Magazine’s second edition, and Earl Lovelace’s Is Just a Movie. Gobbled up Tanya’s book already and want to start on Tiphanie’s any moment now, once I’ve done some of the work I’ve neglected for the past few days!
I’ve put up a zillion photos from the weekend on my FB author page. Check them out and see if you can pick out the world famous Caribbean writers who were there!


Eyes on the Prize

Posted: February 28th, 2011 | Author: | Filed under: Column | Tags: , , , , , , , , | 1 Comment »

The Bocas Lit Fest has announced its longlist for its inaugural prize. Walcott’s White Egrets and Naipaul’s The Masque of Africa are both in the running, alongside works by Kei Miller and Tiphanie Yanique, two up-and-coming writers from the region.

I’m glad that Kei and Tiphanie are on that list alongside such as Walcott and Naipaul. It shows that those writers, both of whom are members of my generation, are capable of taking on giants with their work. Neither is a “new” writer, each having been published before (although this is Yanique’s first novel she has published her short stories and won prizes and acclaim for them); but neither has yet achieved the renown of Walcott and Naipaul.

I’ve heard commentators say the Bocas Prize should have been more open to unknown writers; I’ve also heard them say Walcott and Naipaul don’t need the money, so why should they be given the chance to compete for the prize? I beg to differ on both points.

There are developmentalĀ prizes for unknown writers but from the way Bocas has set up its prize I don’t think this is one of them. The criteria for judging a prize is necessarily an internal matter–it is up to those who give it to decide what criteria they are going to use to judge, and who is eligible. I see nothing wrong in seeking work by all regional writers, regardless of their status, and judging them by the standard of excellence. It is the right of the Bocas organisers to open their prize to previously published writers, even if such works submitted might be perceived to have an “unfair” advantage because their writers have more experience. As to the need of the writers, anybody who has had to live by his pen would tell you it’s a hard row to hoe at any stage in one’s career, the JK Rowlings and Arundhati Roys being in the minority and small, irregular paychecks being by far the norm for professional writers. I would not begrudge anyone that prize money. They have worked hard at their craft and I am glad for them. May the best writer win.