Writer, Editor, Stand-Up Comedian

Another Highway Records post

Posted: August 22nd, 2010 | Author: | Filed under: Column | No Comments »

Got this on Facebook… Reposting…

Embrace our own!

Trinidad and Tobago has a rich and marketable culture outside the Caribbean boundaries and this has been proven by many entertainers, play writers, beauty queens, sports men/women and so on that have received international recognition and acclaim for their efforts. In this regard, I pledged to make an effort to market and showcase brand T&T. Now I am faced with trying to fathom this email I just received concerning The Trinidad and Tobago Publishers and Broadcasters Association (TTPBA) and Copyright Music Organisation of Trinidad and Tobago (COTT), on a quest to fight down and literally shut down certain groups of artists.

I sat in London and watched my country vote for change by exercising their freedom of speech and right to be-rid of a government they deemed as a dictatorship. Now I see divisions of the newly formed government that claimed such an astounding victory less than 4 months ago bullying some of the same individuals that placed them in power.

As a nation we fail to live by what we should stand for and the words “together we aspire, together we achieve” falls by the wayside as many are guilty of wanting change but moon-walk into old and backward tactics. Showing clearly that it matters not who is in power!!

In 2010 any genre of music is acceptable be it in the 5% niche market or higher/ lower! So why should a directive be given to ban the music of some local artists from being played on radio stations and Synergy TV but foreign artists of same genre are being played? We profess to support our own but as a matter of fact it is sad to acknowledge that although SOCA is widely accepted by most citizens, as soon as T&T Carnival is over, that musical genre is on no-one’s agenda leaving artists to travel the world to gain a wider acceptance.

Trinidad and Tobago has been the concert capital of the Caribbean for more than 3 decades with huge acts including those with a hip-hop background; Run DMC, Nas, Naughty by Nature, Foxy Brown, Busta Rhymes, The Fugees, Ludacris, Bow Wow, Method Man, DMX and others to sold out concerts. Even Jay Z’s Big Pimpin video was filmed during T&T Carnival. Clearly bringing to light that we are musically diverse and we influence people other than our own!!

This also concretes the fact that hip hop is an internationally recognised genre of music (though a niche) so % does not matter! Music is a world language and artists have a right to express themselves in any genre that fits their personality and style!!! Our country’s culture, religion, race, talent et cetera is so diverse, there should be no thoughts from any powers that be to encourage the segregation of minorities in any form or fashion!

As individuals we have the human right to decide which bank to invest our savings in, which grocery to shop at, car to purchase or restaurant to eat in. So too does any business entity have the ethical and legal right to decide which companies they want to fulfil their various functional activities and services. So if an artist chooses to conduct business with Awesome as opposed COTT they should not be ridiculed, at the end of the day it’s just business.

For those who don’t know, Awesome Limited uses digital media tracking technology which ensures that every time a song from Awesome’s playlist (any song, any artiste) hits the airwaves, it’s digitally logged. This then works in sync with the logs of the given station to guarantee that the artiste are receiving and paid their just share of royalties. This software system is recognised on an international front and used by associations including the Performing Rights Society (PRS) in the United Kingdom which has more than 70,000 members of songwriters, composers, artists and publishers..

In light of this current situation all members of COTT should:-
1. Read their signed contracts
2. Read the Copyright Amendment Act
3 Grasp a full understanding of Royalties and Publishing

Of all the radio stations in the country only 94.1 have decided to stand by and support Highway Records and deserve to be saluted for this. Other stations have the power as well but what will be done? In addition, other artists, supporters and companies can embrace the message on the coat of arms and represent a small fraction of our culture.

Hip Hop lovers in T&T and the world over argue about who the better lyricist is – Tu Pac or Biggie! Can we now exercise that passion towards our own? Talk the Talk and Walk the Talk people!


TTPBA mu’bbe mad!

Posted: August 22nd, 2010 | Author: | Filed under: Column | No Comments »

This post on Facebook by hip hop artist Chromatics and his label Highway Records is a good talking point to discuss the rights of performers vs the rights of broadcasters. What do you think?

I not only disagree with the TTPBA–I think their stance is immoral, possibly illegal, and short-sighted–I think we who love original, authentic and indigenous music should speak up against it.

Call your favourite TV and radio station NOW and request this music. If we all demand it they surely will begin to see the error of taking hip hop and related music for granted.


Save President’s House

Posted: July 2nd, 2010 | Author: | Filed under: Column | 1 Comment »

Press Release from Citizens for Conservation

President's House, part of which has collapsed.

Citizens for Conservation is dismayed that a decision to demolish and re-build The President’s House was made with no reference or input from the Project Architect or the existing consultant team of British Restoration Architects and Engineers, who know the building well and have already made recommendations regarding it’s restoration.

We understand that cost is an issue.

With all due respect…..Restoration Engineering is a SPECIFIC science, and solutions for retrofitting modern buildings DO NOT apply to 134 year old historic buildings in the same way. I am not aware that The Ministry of Works has any such engineering expertise. How then was this decision made? What were the reasons? How can you make such a decision with no expert advice? WHERE ARE THE RESTORATION EXPERTS to properly advise the Minister?

Daily we see how much considerable damage is done to the building fabric of historic Structures by well meaning engineers who apply modern solutions to the restoration of Historic Structures. Was the perceived “too high cost for restoration” based on modern solutions which do not apply to this type of building fabric?

Where is the scientific analysis that shows that the restoration will cost more than a new structure of similar size, style and detailing? Why can’t the collapsed areas be rebuilt with modern technology and the rest of the building restored as is done in other countries? At least something of the original will be kept. There are other solutions that should be explored by restoration experts.

Citizens for Conservation asks that the Minister of Works please defer any such drastic decisions until proper experts are called in.

One of the purposes of restoration is to preserve the building technology of a past era for the education of future Generations. Even if you build a new building in the same style…it DOES NOT qualify as historic. It is simply Disney World, and worth nothing as part of our Historic Architectural legacy.

The Government would do well to use this opportunity to champion the cause of Cultural Heritage and try to reverse the neglect of the last political regime, instead of putting the last nail in the coffin.

Enormous good will can be gained from properly informed intervention.

Citizens for Conservation.


Moving forward

Posted: July 2nd, 2010 | Author: | Filed under: Column | No Comments »

Now that the deed is done and I’m Guardian-free, I feel a bit odd. This is the first time in over ten years that I’ve been disconnected from the Ansa McAl group and specifically the Guardian. No matter where I was, I always had them in the background, whether I was working on the Style Desk at the Washington Post, or holding a press conference for the Anthony Sabga Caribbean Awards. It was a tether and a shield and now… ? I don’t know how to feel.

What I do know is that The Allen Prize for Young Writers is going to need all my attention. Fund raising, planning, implementing, facilitating… I have a very strong team, thank God, but it’s still daunting to think we have to raise nearly TT $1 million in the next year just to function and do all the things we want to do for young people.

Shout out here to all my potential speakers! Start drinking honey and lime and get your voices in order. We will have plenty talking to do when the seminars start. First one is planned for October, then one a term thereafter… for the rest of my life. Sounds like a lot, innit…

…and I have three books to finish this year. I mustn’t forget myself in all this, right?


Las lap

Posted: July 1st, 2010 | Author: | Filed under: Column | Tags: , , | 1 Comment »

I’ve been writing with the T&T Guardian since 1998, and writing a regular column there since maybe 2006. (Yes, you read it right…I’m not really sure how long it’s been. My record keeping sucks.)

This week marks the end of that relationship. From today I’m no longer a Guardian columnist or writer. I’m a former Guardian columnist and writer. Ha!

You can read it here.

As I explain in the column, I have moved on in order to administer The Allen Prize for Young Writers, the NGO I founded last year. I’ve been planning and plotting this move for a long time and I can’t wait. Yesterday I did a budget for the Prize and nearly fell through the floor at the amount of money we have to raise. But God is good and this is a worthy effort. I know I’ll get support–in fact, I already am getting support from the good people on my board and committees, and my friends and family.

So wish me well!