Pat Bishop. Photo from: The Trinidad and Tobago Web directory
Pat Bishop’s passing leaves a hole in us. Not just the Trinidad and Tobago visual arts community, of which she was a significant part as a painter, or Despers, the venerable steelband with which she worked, or the Lydians, the magnificent choir which she directed from 1987 until her death on August 20, 2011. The work she did and the direction she articulated for our national and cultural identity is irreplaceable. It sounds trite but the lady was really a national treasure and we are the poorer for her passing.
At the memorial for her on August 28 at the Holy Trinity Cathedral, I cried and cried. Not just in sympathy for my friends who are members of the Lydians but for myself that I didn’t have the courage while she lived to spend more time with her instead of holding up that silly veil of some kind of separation between journalist and subject—after all, I had in the past been called upon and could conceivably be called upon again to cover her work or canvass her views on something, anything. What contact I had had with her was professional, not personal, and I always left our interviews with a feeling that I had only glimpsed her creative genius and her understanding of us as Trinidadians.
Consider this unpublished statement she made in a 2007 interview I did with her for Caribbean Beat on her work as director of the Carnival Institute: “If we are not to get to Darfur it is important that we collect and show the various public art processes and what they say about ourselves.” As we enter the third week of the State of Emergency in Trinidad and Tobago don’t those words seem prophetic?
And this, from the same interview: “I have all sorts of fantasies. I have in my head a flock of robot corbeaux—they will have beak caps and radar—and an encounter between the King Douen and Spongebob.
“The only way our children are going to find their place in the sun is to know who they are and to get on to the information superhighway. If I did my cartoons of Mama D’glo combing her hair, Yugioh would fall in love with her. They would know they are part of the world and not just someone that must say ‘Yes, master’ to Miami and survive on barrels from that part of the world.”
I was disappointed, to say the least, at the remarks made by Bhoe Tewarie at the memorial. Dr Tewarie, in his capacity as Minister of Planning, Economic and Social Restructuring and Gender Affairs, was one of the last people to see her alive, as he had hosted the meeting at which she collapsed, never to recover, on August 20. He talked at the memorial about the young Pat Bishop’s desire to be seen yet he failed to mention that the better part of her career as historian, musicologist and cultural researcher was far more devoted to looking than being seen. Not “look me,” but “look we” was what she in her latter work was all about. More than anywhere else, you could hear it in the magical way she fused tassa, African drums and steelpan with European Baroque tradition in her epic signature piece the Hallelujah Chorus from Handel’s Messiah as performed by Despers and the Lydians and Malick Tassa Drummers at the very memorial service.
It was this that stuck in my throat: rage. The government would make sure that Pat’s work was remembered, he said; but I somehow got the impression that it was the works themselves and not her intention that the government would celebrate. Pat Bishop was an artist’s artist, and even greater than her desire for making her own work visible was her passion for protecting our arts and fostering their growth, probing them for an understanding of our national possibility and potential. Dr Tewarie, in addition to your tributes and a retrospective exhibition or whatever is planned to memorialize Pat Bishop, why not found a National Arts Council that would give significant and transparent grants to the arts in this country? Would that not be the better way to celebrate her legacy? Wouldn’t she be glad to know that some artist here, digging in the rich soil that is our cultural heritage, would have it that much easier? That our arts could be as respectable and comparatively well funded as any? That the hardscrabble life lived by some artist could be a little easier for it?
My friend writer Barbara Jenkins, who writes for the Lydians, eulogized Pat Bishop in a note published in the programme for Winterreise, the show Pat was directing at her death. With Barbara’s permission I’ve republished her words here. I wonder if Dr Tewarie will read them and I wonder if he will then understand.
A Winter Journey of the Soul
Do not go gentle into that good night…
…Rage, rage against the dying of the light.
Pat Bishop died on Saturday 20th August 2011. She had been working on this Winterreise concert when she died. As was her way, she was also working on a collection of paintings, She Sells Sea Shells by the Sea Shore. For Pat, one creative activity inspired another, even segued into another. She could never do just one thing at a time when she was on fire; she had to find outlets everywhere or be consumed by her own energy, go into meltdown. This time, as she completed both – preparing for the concert and putting the last brushstroke on the last painting – she did self-combust.
I would venture that it was not the strain of the work she did do, that killed Pat Bishop – she was tireless with the choir, the steel, the painting, the teaching, the guiding, the writing, the thinking. These gave challenge, gave hope, gave reward in lifting the spirit, her own and those she worked with. It was the stress of what she did not do, could not do, that broke her.
More than anyone, I think, Pat recognised how lucky we are to have found ourselves here, in this miraculous space that is Trinidad and Tobago. How lucky we are to have arrived here with the gifts of intelligence, creativity and endurance and the blessed serendipity of being thrown together to share and fuse and mix and blend and make newer, better, more original creations, of people, of things. A people who, musical illiterates in the conventional sense, could take industrial waste, an empty oil drum, use heat and hammer, and create a musical instrument. A people who, colonised and coloniser, enslaved and slave-owner, plantation overseen and overseer, heated together in this crucible, could emerge as us! Look at we! Just look at we! Yes, WE the subject, not the object.
How many times must you say to a national community; how many times must you say to the corporate world; how many times must you say to ministers and governments of how many regimes, that the wealth of a nation is the people, their creativity, their natural born gifts, their talents? Not just say, not just talk, speechify, posture, but show by example, demonstrate by unceasing labour, by walking the walk, barefoot over beds of nails, through coals of fire, decade after decade after decade?
Say over and over and over, that our wealth, the treasure of our human capital, is inexhaustible, renewable, sustainable – the only long-term capital that this country possesses, the only investment worth while, the only thing that could, would, last beyond all other wealth. That this wealth must be recognised, nurtured, developed, cherished, rewarded?
That all else is ephemeral, all else, dross?
It was while she was called upon to say it one more time that the fragile clay vessel that housed her soul broke beyond repair and Pat Bishop died.
Pat had been going through A Winter Journey of the Soul for a long, long time. She had been soldiering on, putting the last of her energies into what she could do, while still hoping to persuade others, the powers-that-be, that the key to this country’s salvation lies, not in physical structures, but in empowering institutions; not in consumerism, but in conservation; not in $GDP, but in human GDP – Greatest Development of all People, ALL people – through their myriad talents, their boundless creativity. And she died, while saying so, one last time.
Amy Winehouse. Photo by nuflicks/Flickr Creative Commons License
On Saturday I was in a sailing boat in St George’s, Grenada, getting ready to cast off when the skipper announced that Amy Winehouse had been found dead.
I’ve never met Amy Winehouse. I’m not a musician. I’m not British or anything even remotely connected to her. I only discovered her music about three years ago and, honestly, there were people who were more ardent fans. I do know, however, that hearing the news of her death made me deeply sad. She was an epic talent, writing songs that cut sharply into the pain of love and loving and singing them in a voice that wrung each drop of that pain from the poignant lyrics, the voice that her friend Russell Brand described as having “rolling, wondrous resonance”. I often put what I consider to be her best song, “Back to Black”, on repeat, feeling the music just probing my own pain the way a tongue will probe an aching tooth, flinching from the agony but going back for more and more of it.
I was in Grenada on assignment –I might not be able to make rent every month, so to speak, but I do have a fantastic career that lets me do things like that sometimes. My assignment called for me to experience Grenada’s beauty, and I had my morning tea on a balcony overlooking the two-mile stretch of white sand that is Grand Anse Beach. I had woken up Sunday morning with Amy on my mind and I wrote this poem in her memory.
The internet publication sx salon (produced by the Small Axe people) features a new story from me this month. The story is a noir-ish short called The Gun.
I have to say thanks to my writing workshop group–Sharon, Barbara, Alake, Rhoda and Monique–for their support in the editing and publication of the story. Could not have done it without them. A real tribute to the power of community. 🙂
The story is up here, but do also check out the rest of the magazine. Other pieces include reviews of books by Christian Campbell, Anton Nimblette and Geoffrey Philp, and the issue is a tribute to Peepal Tree Press, which celebrates its 25th anniversary this year.
My daughter’s brother the Boychick is visiting us from Tennessee and we are doing the tourist thing. Over the past week we’ve been to Maracas Bay, the Military Museum, the National Museum, the Pitch Lake and the Temple in the Sea–all great outings, in theory. But in Trinidad, tourism is so poorly developed it’s a shame. I was horrified and embarrassed half the time at the paltry quality of our tourism product.
Maracas Bay was great. The bathrooms are clean, the beach has lifeguards from morning to evening, and there was room in the parking lot.
Maracas Bay picture I found on Wikipedia
Things went downhill from there.
The Military Museum (officially the Chaguaramas Military History and Aviation Museum… you can see photos here) is a bit of a wreck. It is supposed to show our military history from pre-Columbian times to the present, and the exhibits actually are clearly thought out. We found parts of it engaging: the WWI trenches (a walk-through exhibit), the sack of a Trinidad village by pirates in the 17th century (another walk-through) and the amphibious transport vessel (which we got to board) were some of the highlights in our visit. However, the majority of the exhibits are so poorly kept that they are literally crumbling. Photos are fading and peeling, uniforms are dusty and tarnished (even the newer ones) and swords are rusting. There was a dead bird in the grounded BWIA jumbo jet on display–and the jet was gutted, which puzzled us greatly. The whole place needs to be overhauled and some sort of climate controlled environment be built to preserve these unique pieces of our history. The single attendant couldn’t leave the door to guide us through the museum, and there are no guidebooks or narration to help; one entered, walked through, left. That was all. It’s sad, because the idea of it is so cool, and there are things in there that were really intriguing. *sigh*
The National Museum and Art Gallery was also disappointing. The building is under renovation, but instead of closing the museum for a while, the museum’s administrators have left it open so visitors can go in and see part of the display of natural and cultural artifacts, but not the art gallery, which is closed. Only the Cazabon gallery is open. We loved what we saw but it was very annoying to set aside an afternoon to tour a museum only to find that it would take no more than half an hour, at best. The dioramas of early 20th century Trinidad culture are excellent (even if I’ve seen them a million times); and the Cazabon gallery, as previously noted, truly rocks. However, the natural history section features decaying taxidermy and faded specimens. Surely, if we can build a half-billion-dollar performing arts academy we can invest some money in the preservation of our history? And why not just close the museum while it is being renovated?
The Pitch Lake, one of our natural wonders, is pretty awesome. I’ve never been there before and was quite interested in the tour. BUT. BUT. BUT. I couldn’t find an official website for the tour and we went down there with the impression it is TT$30/person for a tour led by an official guide, info given on a tourism review website. Not so. Not only was the visitor’s centre CLOSED, the official guides were nowhere in sight. We ended up paying a guide US $30 per person. It was a decent tour but I hadn’t expected that hugely inflated price. We should have been told (on the invisible official web site) to wear flip flops and shorts. DO NOT TOUR THE PITCH LAKE IN SNEAKERS AND JEANS. You’ll have to take off your shoes and roll up your jeans and you’ll STILL get wet.
But guess what? There were prayers going on and we couldn’t go inside. We settled for a quick walk around it (still pretty impressive, by the way). And the bathrooms, in the adjoining cremation site, are frightening. To the Trinidadian or Tobagonian reader who went to government school: remember the worst toilet in your primary school? Yeah. Like that. Only worse. There were also about a dozen stray dogs wandering the site (I shudder to think what they eat, since there is no meat allowed on the compound).
We wanted to go to the Point-a-Pierre Wildfowl Trust, a gorgeous nature reserve on the Petrotrin compound, but it was open only by appointment. I wrote on the wall of the Asa Wright Nature Centre’s Facebook page on June 21, asking about a tour. I haven’t yet got a response.
We’re off to Tobago for a day on Friday. Let’s see what they have to offer.
Of all the annoying things I read in today’s Trinidad Express (and there were several stories and ads that caused me ire, can I just say?), the most irritating was a call for the dismantling of the Government initiative to give laptop computers to all incoming secondary school students. Today’s story followed up on one written earlier this month detailing problems faced in implementing the initiative. In the first story, students said the computers were not being used in classrooms and were, in fact, being used to play games and record fights–and surf Facebook, a site that had supposedly been blocked on all the Government-issued laptops. Teachers said they hadn’t been properly trained and there was a big gap between the plan and its implementation.
The follow-up in today’s Express, the story that got me so mad, extensively quoted a parent identified as “Mrs Leacock”, whose views, presumably, represented the voice of parents. “The reality is that 12- and 13-year-olds are not responsible, nor prudent enough in their thinking to take care of, far less, use the laptop and harness its power to influence and access both good and bad at this tender age. We are being unfair in our expectations, and at the same time curtailing their opportunity to learn, by giving them another technological toy to entertain themselves with, and expecting better results in the long run,” she’s quoted as saying.
“A peep into any household whose child has their laptop at home would reveal the parent’s mantra of ‘turn that thing off’ with increased frequency, because now, in addition the Xbox, iPod, cellphone and TV to compete for our time and attention, our Form One children can now be mobile and walk into his bedroom/ bathroom and spend hours on the Internet or playing games, simply because they can, as it is their laptop.
“So in addition to more unsupervised use of this communication technology, we are fostering an increase in obesity. If before we had a hard time getting our children outside to play, this makes it all the more difficult, and the reality is that they have these laptops for a few years, so these bad habits are not going to change anytime soon.”
Well, Mrs Leacock, I beg to differ.
There might be great reasons to take those laptops away from the kids, but there are even better reasons to let them keep them. Here are some:
• Children don’t learn responsibility unless they’re given it. In other words, if they have nothing of value, how do they learn that they must take care of the things they have? I struggle with this on a daily basis with my 11-year-old (soon to be getting a laptop herself, once she passes her SEA. We’ll know by next week, God willing). Do I worry that she’ll mash up the laptop she gets, or lose it? Sorta. But I also recognise that the only way for her to learn to take care of things that are important is for her to TAKE CARE OF THINGS THAT ARE IMPORTANT. Parents ought to be teaching their children responsibility from small–doing chores, taking care of pets, taking responsibility for their books and toys and so on. Getting a $5,000 piece of fragile technology shouldn’t be the first time they have responsibility. But it is an excellent opportunity to teach them consequences. Hold them personally responsible for the condition of the laptops and enforce consequences for damage or misuse. Let’s see how many keys go missing then.
• Internet access isn’t a privilege anymore. It’s a necessity. I lived in the library when I was a student. Now, as a writer, I live online. Every time I write one of these useless blog posts, I spend time researching what I write, or finding pictures to illustrate the posts or videos to emphasise my points. Young people in schools have to do much the same thing. Education is increasingly project-centred, an approach that puts the onus on the child to find and present information. They could do this in libraries like I did thirty years ago, but why should they? Any teacher would tell you that they expect projects to be typed and neatly laid out–usually on a computer. (Can I get an “amen” from all the parents who ordinarily have to go to their offices to type and print projects for their kids?) To force children to depend on Internet access at schools or public libraries would be putting them at a disadvantage. Who would suffer most? The kids whose families already have computers and Internet access at home? Doubt it.
• Technology is part and parcel of the modern world. Giving students computers at an early stage in their development makes them more comfortable and familiar with the tools they will have to use anyway. It’s true not everybody’s going to be a writer or a scientist. But have you been to a mechanic lately? Even they use computers for their office management and diagnostics. Face it: computers are not going away and we need them more each day. Give a head start to children who otherwise would not be able to afford them.
• Computer-assisted learning can help certain kinds of learners. Chalk and talk doesn’t reach everybody. By nature computers are multi-media and therefore could be a great tool in teaching those who are more kinetic or visual learners. For more on the benefits of computers in classrooms, read this.
• Social networking is not the devil. Well, maybe this is a shaky point. I know they can be addictive, but sites such as Tumblr and Facebook are one of the ways the adult world now communicates. I once read a comment from someone who said that Facebook is today what a cell phone was ten years ago. Hands up if you have a cell phone now. I’m sure even Mrs Leacock has one. The idea is that they are a weapon in our communications arsenal and they can be useful. Teachers can and do use Facebook to post assignments and communicate with students. It doesn’t have to be a terrible thing.
• Who’s in charge of our children’s habits and lifestyle? Parents, or the computers? Mrs Leacock’s argument is a cop out. Until that child turns 18 he or she is your responsibility. Go back to my very first point. What did we say about taking care of the things that are important to you? Get the child off the computer. It’s your right and your job.
• As for the finding in the first story that teachers hadn’t been properly trained, this is eminently fixable. Train the teachers. When I teach I use my computers to teach (sometimes I use PowerPoint presentations, I find resources online for students, I show videos, I give quizzes, I make them do blogs). I also use my computer to communicate with students and do things like lesson plans. You don’t need a computer to teach. But it is a very useful tool. Show the teachers that and they might find it less onerous to be trained in using computers.
I’m not trying to oversimplify the problems inherent in giving students computers for use in schools. They are many and large. But we can and should solve them. Our children, no less than any others, deserve to reap the benefits of progress.
When I first started buying my own books, one of the first I picked up was a screenplay of Caryl Phillips’ Playing Away. The Kittitian-British writer has always had a special place in my heart because of that early memory and it was a pleasure and a privilege to interview him for Caribbean Beat Magazine last year when he was here during the Trinidad and Tobago Film Festival.
I’m posting here three poems. The first is a poem I wrote some years ago after my mom died, and which I read at the Bocas Lit Fest Poetry Lime Friday night; the other two are poems that came out of the Bocas poetry writing workshop I did. (Check the previous blog posting for details on that). I’m also putting up, for the workshop poems, the prompts that comprise the material that went into the poems.
Once
(For Dolsie)
Frail as hope
her wasted body
smells of soap
and soured dreams.
Once she was
much more than this.
Once she kissed
our smooth young faces.
She held us hard
against the world
outside her yard,
kept us safe.
Once she loved.
Once she moved.
Merle Collins, who led the workshop on Saturday with Christian Campbell, had the participants write for a minute after being given a prompt, and then we had to take those writings and shape them into a poem. These were my responses to the prompts and the poem that came from them. (It’s not very good, I warn you!)
Stew–stew in your own juices watching that ass slip slide hiccup down the hall oh lord will I never stop stop stop stutter to a halt
Friday–payday just got paid money in my pocket hey hey* (*you recognise this song?) but that is not me hungry when is my friday coming
Mango–sweet and slippery flesh sliding on lips nature is a boss fragrant flesh a gift thank you Jesus his face in every mango
Soft–but soft what light through yonder window breaks the window break? no yuh ass is shakespeare yuh ent ha no culcha or wha
Islands–her eyes were islands drowned in milk open only to what was inside her drowned
Drunk–like his blood eaten like his body consumed by the world that scorned him
Sky–open Irish frizzy hair delight bright smile heart-shaped face shape of her heart
Empty–Fennec on my lap warming my empty womb the son I will never have he answers when I call with a polite mew to say yes? you called?
Sea–me here in you so big and I so small and never could swim too good splash but not hard softer, a lapping more a lapping
From which I constructed:
You sea
me there in you
so big
and I, so small
and learning to
swim through
the softly lapping
waves of your hipsway
watching that
ass slip slide
hiccup down
the hall
slippery like
a mango
flesh a fragrant gift
but you
open to only
the islands of
her eyes
what is inside her
and me stroking
the kitten on my lap who
warms my empty womb
the son I will
never have
when I call him
he answers
with a polite
questioning
mew
I am become
the cat’s mother
she
Finally, Christian Campbell’s exercise was to use mimicry–like jazz singers scatting, like a soucouyant taking the shape of an old woman–to shape our poems.
I chose to mimic the form of a radio death announcement.
If the Bocas Lit Fest (Trinidad and Tobago Literary Festival) had been held in another country, right now I would be packing, looking for my earrings on the floor behind the sideboard in my hotel room, clearing my non-existent room service charges and being driven to the airport in a shuttle or by a member of the organising committee. As it was, Bocas took place in my country and I just had to get into my car and drive home last night. The feeling at the ending of a great event is the same, though. Bocas left me replete, yet hungry for more.
It ran from Thursday April 28-Sunday May 1. Thursday’s highlight for me was my leading a creative writing workshop for 9-11-year-olds at the National Library in Port-of-Spain, where all the Bocas main events took place. There were 20 boys present, all from Richmond Street Boys’ Standard Three, and their teacher Mr Hercules. I did a quick talk about the basics–every story has a beginning, middle and end, and what is conflict and how it’s used–and then set them on a free writing exercise. I was honoured to be the scribe for a visually impaired boy, Kishon, as he told a wonderfully creative story about a boy reading a book about a wilderness explorer who gets savaged by a wild lion.
Another Thursday highlight was moderating a reading by two talented authors, Prof Barbara Lalla, and Prof David Chariandy. Prof Lalla is the author of two novels, and she read from her most recent, Cascade. I’ve read it, and it was as puzzling and beautiful as an impressionist painting. Up close it was hard to see the pattern in places, but once I was done and stepped back a bit it was gorgeous, a detailed, breathtaking vision of aging and friendship. Prof Chariandy’s debut book Soucouyant is a shortish novel that has won many plaudits in Canada, where he’s from, and I found it spare and gut wrenching. Having watched my own mother fall to dementia, the main theme of the book, I saw many things in the story that were painfully familiar.
Friday night I read in the Poetry Lime. It was originally supposed to be a poetry crawl, going from bar to bar in Woodbrook, a wonderful entertainment zone in Port-of-Spain, but was changed at the last minute to a lime at the Reader’s Bookshop in St James. While I would have been happy to tramp up Ariapita Ave drinking and reading increasingly slurred poetry, perhaps this worked out better–especially as I had to drive home! I read four poems, three tiny ones on love, and one short one on my mother’s experience with dementia. (I’ll post that poem separately.) It was an excellent, if packed reading. Some of the poets taking part were Phillip Nanton, Lorna Goodison, Tanya Shirley, Mark McWatt, Jane Bryce, Christian Campbell and Merle Collins. I was extremely flattered to have been invited to read in such distinguished company!
Jamaican author Marlon James takes in the poetry at the Bocas Lit Fest Poetry LIme
Saturday I took part in a poetry workshop with Christian Campbell and Merle Collins. The theme was mimicry and improvisation; participants had to use random prompt words given by Merle to write as much as they could, and then combine those slivers into a whole that, hopefully, would make sense. Christian made us think up a pattern to mimic and write a piece using that structure. It could have been anything. I chose the form of a radio death announcement. (I’ll post those poems separately, too.)
Sunday I was exhausted and so overstimulated I felt I had bees under my skin. I was constantly on the verge of tears and I couldn’t sit still. Thankfully, I had only a couple things planned and I could–and did–spend the day drifting around getting in people’s way after I finished taking part in a workshop on getting published. Now, since I’ve already been published one might say I shouldn’t have gone. But I nevertheless enjoyed the workshop and I thought the facilitators, Margaret Busby (founder of Allison and Busby), Jeremy Poynting (of Peepal Tree Press) and Ken Jaikaransingh (of Lexicon Books), did a terrific job of explaining the process. They gave tips to writers–including on finding an agent, looking for the right publisher, and formatting work for submission.
Oh! and Sunday too was readings from the winning OCM Bocas Prize books, Edwidge Danticat’s Creating Dangerously, Tiphanie Yanique’s How to Escape from a Leper Colony, and Derek Walcott’s White Egrets. Tiphanie, who was a contributor to Trinidad Noir and with whom I did a short book tour in NY in 2009, reads beautifully. Her story was about a convict who had been wrongly convicted of a crime he did commit. You’ll have to read the story to see what I mean! Prof Eddie Baugh, a Jamaican scholar and poet who I absolutely adore, read from Walcott’s poetry. His reading of a piece dedicated to Lorna Goodison made me shiver.
With Prof Eddie Baugh at a reception hosted by the French Embassy at the close of the Bocas Lit Fest
As always at the end of a really exciting and connected literary event I’m exhausted and sad but also invigorated and hopeful because of all the interesting people I’ve met, all I’ve learned and heard, all the books I’ve bought. I got poet Tanya Shirley’s collection She Who Sleeps with Bones, How to Escape from a Leper Colony, ARC Magazine’s second edition, and Earl Lovelace’s Is Just a Movie. Gobbled up Tanya’s book already and want to start on Tiphanie’s any moment now, once I’ve done some of the work I’ve neglected for the past few days!
I’ve put up a zillion photos from the weekend on my FB author page. Check them out and see if you can pick out the world famous Caribbean writers who were there!
I’m tired but happy today because The Allen Prize for Young Writers’ Term II Seminar was held yesterday and it was a success. Tired=lots of planning work and running around, then hosting and stage managing yesterday with the help of lots of people–my brother Dennis, my daughters, Rhoda, Brian. Happy because (although our preregistration drive netted us more than 50 students the actual turnout was, once again, lower than expected) we had a small but keen audience.
Part of the audience.
The speakers were marvelous. Nicholas Laughlin talked about the possibilities of creative non-fiction.
Nicholas Laughlin at The Allen Prize Term II Seminar 2011
Monique Roffey spoke about her life as a writer, starting as a wall-scrawling toddler, up to her short listing for the Orange Prize in 2011.
Monique Roffey at The Allen Prize Term II Seminar 2011
And Muhammad Muwakil performed his spoken word magic before giving a talk on writing.
Muhammad Muwakil at The Allen Prize Term II Seminar 2011
Gillian Moor was our guest performer.
Gillian Moor at The Allen Prize Term II Seminar 2011
It was an exciting morning. Now on to the Awards Ceremony in May, and the next seminar–in Tobago!–in June.
The past couple of weeks have seen the pillorying of Nizam Mohammed, erstwhile chair of the Trinidad and Tobago Police Service Commission, culminating in the revocation of his appointment by our nation’s President George Maxwell Richards. Mr Mohammed was effectively fired for saying there were too many black people in the high echelons of the Police Service; he made the statement before a parliamentary Joint Select Committee on March 25, 2011 (this Trinidad Express editorial nicely sums up the whole case and its upshot).
The outcry following Mohammed’s statement about the imbalance was loud and ugly. He was called a racist, even though as he himself reminded the public he had been on the side of Black Power insurgents and long supported racial equality. Now the hue and cry has drowned out his protestations of unbiasedness. There are many factors at play–Mohammed made an ill-advised move earlier in his appointment in a confrontation with two police officers and lost a lot of credibility thereafter, and there was subsequently a national petition to have him removed from office–but surely the bigger picture is that he is right about the imbalance in the Police Service and that it ought to be addressed.
“The relationship between group composition and performance in general is clearly complicated, but from a strictly decision-making perspective, both sides of the debate regarding diversity effects are compatible with the hypothesis that groups often benefit from racial heterogeneity. The extent to which racial diversity facilitates information exchange and problem solving certainly indicates advantages for heterogeneous groups, especially for complex decisions. But even interpersonal conflict— often mentioned as the principal negative result of diversity—may be useful when a group’s primary goal is not boosting morale but rather good and thorough decision making.
[…]
Although equal access and the attempt to remedy historical injustices are important, and many would say noble considerations, the present findings provide evidence for another, often overlooked justification for promoting diversity: In many circumstances, racially diverse groups may be more thorough and competent than homogeneous ones.”
—”On Racial Diversity and Group Decision Making: Identifying Multiple Effects of Racial Composition on Jury Deliberations”
Anybody who has ever had to manage a group of any size would tell you a diverse group brings different things to the table than a homogenous group.
Members of a homogenous group, such as the upper ranks of the Police Service largely is, think similarly on problems in many cases. Shared ethnicity in Trinidad and Tobago means that, class notwithstanding, the roots and leaves will be similar among the officers. One cannot effectively police a multi-ethnic, multi-racial, multi-religious society with only black police when more than half the society is not black. (Although, as one Facebook denizen recently implied, voicing an opinion shared by many, if you got rid of all the black people in Trinidad and Tobago crime would vanish, so, by that logic, if all the criminals are black then maybe all the police should be black, too.)
Whether or not we would admit it, racialism is strong and vibrant in our country. Pretending that “all ah we is one famalayyyy”, in the immortal words of Lord Nelson, will not make the problem go away. We all know the stereotypes:- White people are rich and snobbish; Syrian and Lebanese people are corrupt and incestuous; Indians are stingy and racist; black people are lazy and criminals; Chinese are cheap and have small penises/sideways vaginas. All ah we might be one famalayyyy but I wouldn’t want to be there when the gloves come off after that reunion dinner.
Policing is not merely solving crime. It is preventing criminal activity and relating to a community. How can the police do that when they, at the very least, can’t well understand more than half the society? When they fear, despise or resent the “other”?
Making the Police Service more racially balanced, at all levels, is not the job of the Parliament, it is true. But whoever has responsibility for it now is not doing his job. Perhaps we ought to mandate quotas to ensure more equitable representation of all races in the public service–and put measures in place to protect civil servants from the racial purging that takes place every time a different government comes into power.
